“For The French Dispatch, the feel that we were going for was post-war Paris,”, “It wasn’t the stereotypically romantic picture-postcard Paris but it was still so beautiful.”. –Rena DeAngelo para Vogue. Rena DeAngelo es la decoradora de set en The French Dispatch. Y estos consejos que tenemos para vos, son de su puño y letra! Hoy en Mondesign la segunda parte de nuestra nota sobre decoración a tono de los sets de Wes Anderson. 

 

3- El primer objeto en tu wishlist, que sea un escritorio con patas algo torcidas y en cebada.

“When I was buying furniture, every time I showed Wes something that had a barley-twist table leg, he was like, ‘I like that,’”, “So, we made all the writers’ office desks like that.”, “Wes said, ‘Wouldn’t it be great if we had an electric chair like that?’ So, my set dressers who were also carpenters built it. I’ve never seen anything like it.”. –Rena DeAngelo para Vogue.

 

4- Acentos en verde (y muchísimas muchísimas lámparas).

“There was a green lamp on the desk of Arthur Howitzer Jr and that shade of green is so specifically Wes,”, “Anytime I saw anything that was that colour, I’d buy it, and I also bought every cool lamp I could find. You can never have too many.”. –Rena DeAngelo para Vogue.via https://www.vogue.com/, imágenes via https://www.stirworld.com/